The Fourth Kind - Impossible Dreams
With the fumbled release of “The Fourth Kind,” sneaky-hip viral movie marketing shoots itself in the foot. It’s been 10 years since the makers of “The Blair Witch Project” used the Internet to plant eerie suggestions that the events in their film were real. Today the Internet is patrolled by a legion of bull-sniffing bloggers, so any attempt to do the same thing again is doomed to fail. And the picture expends so much of its energy trying to pound home its preposterous assertions that there’s very little left over to animate the story, which is in any case a hopeless jumble.
The movie is an attempted alien-abduction thriller. It begins with what is probably the most laughable opening scene of the year. Walking through some misty woods and straight up to the camera, the film’s star, Milla Jovovich, informs us that everything we’re about to see is true — that it’s “supported by archived footage” and is “extremely disturbing.” But then we’re also told that the names and professions of the characters have been changed. Why would that be, if they’re all real people? The silly premise instantly begins to crumble.
Nothing in this movie is real, starting with the aerial shots of Nome, Alaska, where the story is set. What we see is a city surrounded by mountains and forests (the picture was mostly shot in Bulgaria). But the real Nome, as actual residents have noted online, is situated in a vast, strap-flat snowy landscape. From this point, the film’s bogosity only builds.
